"The Substance" is a dark modern fable that starts out blaming men for reducing women to sex objects and then cuts deeper. Fargeat saves a special rage for women who conspire in their own diminishment, trading their soul in a pulse beat for a few more shining hours as a goddess.

At last, Cannes embraces body-horror schlock in Coralie Fargeat's "The Substance," but the film is more metaphorical than meaningful. Review.

The Substance” blowtorches a single idea for two hours and 20 minutes, and narratively it turns to ashes by minute 40. It’s easier for a movie to become a talking point that way. Film festival buzz, which “The Substance” enjoyed at its Cannes world premiere,